‘Scalped’ paints a rough picture of the
reservation
Comic
takes place on fictional reservation in SD, tackles Native American issues with
‘Sopranos’-like crime drama
By Robert Morast
Argus Leader
Sometimes the comfort of fiction is that the story's
sensationalized plotlines are traced over a world far away from us.
That's why we can feel entertained while watching a faraway space cyborg like Darth Vader slice off his son's hand without
remorse or see mobster Tony Soprano shoot his best friend in the head and then
drop the portly mobster into the Atlantic Ocean's big gulp without wondering if
this all-too-real scenario will break into our homes and strip us from our
safe, cozy recliners.
But when fiction outlines a world closer to home, the effect can be more like a
slap in the face than a subtle sensation. Such is the case with
"Scalped," a new comic book set on a fictional reservation in South Dakota.
Written by a white, stay-at-home dad in Kansas, "Scalped" is a violent
crime drama scripted on the Prairie Rose Indian Reservation. Again, the Prairie
Rose rez is imaginary, ripped from author Jason
Aaron's mind. But the setting is too familiar for anyone who's spent
considerable time on one of our state's many reservations.
On pages with muted colors and scratchy drawings that look like they were
penned by a Frank Miller disciple, "Scalped" shows a sensationalized
view of a reservation coping with bureaucratic corruption, exploitation of land
and the struggle between traditional values and contemporary habits.
With only one issue out, "Scalped" is being described by comic
industry folks as "The Sopranos" on the rez.
And while its plot is a mafia-like conspiracy story complete with an undercover
FBI agent returning to his homeland to spread justice, the story feels too
real. It reads like a bloodier version of the reservation corruption stories I
heard while growing up next to the Fort Berthold
Reservation in North Dakota.
That's what makes this comic so good. Like Louise Erdrich's
fabulously detailed book "Love Medicine" or Chris Eyre's striking and
contemplative film "Skins," "Scalped" feels more like a
commentary on contemporary reservation ills than an entertaining crime drama
that could compel some comic nerds to drop $3 on the latest offering from DC's
adult-orientated Vertigo imprint.
"If the book helps to raise awareness about issues faced by Native
Americans today, that's fantastic," Aaron says via e-mail. "But I
didn't go into writing this book with some sort of agenda in mind. 'Scalped' is still meant to be an entertaining crime
series, but hopefully a series with plenty of meat on its bones in terms of
social relevance."
The comic succeeds in both respects with stark - and mature - images such
as a corrupt casino owner sitting next to a man he just scalped or alcoholics
crossing the border into Nebraska
to buy some beer.
The scenes seem too real to come from a wasichu who's
never even been to the Pine Ridge reservation - which served as a model to
Aaron's comic book setting. And I wonder if this cautionary thought is simply
the byproduct of me working at a PC-conscious newspaper or the harbinger of
skepticism to come. So I called Gabe Night Shield.
The Sioux Falls
rapper grew up on the Rosebud reservation and is an avid comic book fan who lights up with excitement the rare times we talk about
comics. When asked if Aaron's white skin and lack of first hand reservation
experience bothers him, Night Shield says, "I don't care.
"I think it's cool. I went down and bought (the comic) as soon as I read
about it," Night Shield says. "It's very rare that something like
that has to do with Native Americans that's not
stereotypical."
Rather than damn Aaron for presenting reservation dilemmas the writer only
learned through research, Night Shield is more concerned with how he can get
into the book that's based on land so familiar to him.
"Hopefully I can make a guest appearance and get killed or
something," Night Shield says with a laugh.
Ultimately, I wonder if that's the reaction we should all have from "Scalped."
Do we praise it for underlining social problems on ignored reservations, or do
we simply applaud the comic for its writing and entertainment value?
I suppose it all depends how close we're sitting to the reality of
"Scalped," and how we worried we are that this reality will spill
into our lives.